Socioplastics is not an archive of marginal references. It is a choreography of major operators that were never made to dance together.
Socioplastics is a new associative dance between major operators that were never meant to move together. It does not seek marginality, obscurity or decorative eccentricity; it works with high-density figures, concepts and lineages, but recombines them across fields with a different rhythm. Curie can touch Lynch, Bergman can touch Leibniz, Miles Davis can touch Boullée, and Maya Deren can touch Euclid, not as references placed side by side, but as ingredients in a new theoretical cuisine. Socioplastics is therefore a high-level associative practice: a controlled choreography where body, city, technique, image, object, archive, institution and text begin to deform one another and produce a field that did not exist before.